Why We Care

Why Making Movies Cares

AN INTERVIEW WITH DIEGO CHI OF MAKING MOVIES

BY: ANNA SPADY

That awkward moment when you realize your friend is a rock star…happened to me about a year ago.

When I first met Diego Chi and he told me he was a bassist in a band, I pictured Making Movies as a small, garage style ensemble that played the local Kansas City scene and maybe had one official C.D.  Our conversation quickly turned to other things, and soon we’d bonded over our mutual love of KC, disdain towards chitchat and passion for volunteering.

So a few weeks later I was completely flabbergasted to find out he not only had his music on Spotify, but Making Movies had even been featured on the infamous NPR Tiny Desk. On top of that, they were currently very busy working late nights at the recording studio while also planning a national, multi-month tour.

That’s when it hit me — I’d inadvertently made friends with a real, live rock star.

But the fact that it took me so long to grasp just how big a deal they are is actually what I love most about Diego and his band. When you talk to them, they won’t brag about their exciting lifestyle or impressive achievements. They’ll tell you how much they love spending their free time running a nonprofit that gives pro bono music lessons to at-risk kids in the city. They’ll talk about how rewarding it’s been to work to raise domestic abuse awareness.

In other words, they’ll talk about why they care…SEE BELOW!

Diego taught me that it doesn’t matter how glorious or mundane your job is. What matters is what you care about and what you give towards that passion. He’s taught me not to wait until you have it all together before you serve. He’s taught me “to start” now.

Start with us, as we watch Making Movies this Thursday, Nov. 19 at 2015 The Call KC Benefit Concert. GET TICKETS HERE!

P.S. Can’t make the show but still want to be part? Volunteer here or donate here.


Q&A WITH DIEGO CHI OF MAKING MOVIES

Q1. What is the Musica Project, and how did it start?

Diego: The Musica Project began as an idea to use the relationships we’ve developed over the years with other musicians in town to offer music education to underprivileged youth in the Historic Northeast. We started by doing a week-long summer camp at the Mattie Rhodes Center, a nonprofit that has worked in the area for many decades.

Now, the Musica Project is transitioning into becoming a formal organization– a network that empowers artists to use music and music education as a tool for social change by connecting them to organizations that share a similar vision. We plan to launch it officially in 2016.

[To learn more, or to donate, contact Diego at diego.chi@gmail.com]

Q2. What did you wish people knew about volunteering, about giving back?

Diego: You have to start. I think most people get caught up in thinking they have to be a ‘big deal’ before they are able to give back to their community. I know we did. But that changed during one trip to San Antonio, as we watched practically unknown local musicians use their talents to organize events, forums, and music classes. They didn’t wait to become rock stars first, and they are having an impact on their neighborhoods. Their example taught us that whatever you can do will be enough, because most people never even start.

Q3. What’s the best moment for you when you help someone? When you teach them to play music, when you put on a benefit – concert. What makes it worthwhile?  

Diego: For us, it has all circled around the word empowerment. When a student learns to play a song, we have empowered them to bring happiness to their life and the lives of those around them. When we connect an artist to an organization, we are empowering them to do something special in their community. And it feeds back to us, energizing us to keep moving forward with our art and keep building communities that look like an America we want to live in.

Q4. Who inspires you to give back?

Diego: Personally, I have been impacted by a man named Terry Lowry from San Antonio. He recently retired from an organization he created called Network for Young Artists (NYA), that inspired much of the way we decided to run our programs. NYA gives young people in San Antonio the opportunity to take instrument, dance, and voice lessons at a fraction of the cost and connects them to venues all around town so they can perform.

Recently NYA and Terry were a recipients of the Smithsonian’s American Latino Influencer Award– it is an amazing organization, and he is an amazing man.

Q5. What’s your dream for Kansas City? How would you like to see it grow, change, develop?

Diego: Kansas City is in an interesting place right now — lots of growth and excitement, like I have never seen. I hope this newfound energy continues to get folks from all over the metro to participate in the city proper. If we can get the good people of the midwest to look beyond the good of their homes and invest in the good of the city, I think Kansas City will become an incredible community, and a beacon in the middle of the US. Let’s get there.  

Why Suneet Singh cares

WRITTEN BY SUNEET SINGH

When I was six-years-old, I traveled to India. For me this was the start of my love for seeing the world, as well as the beginning of my love for helping others.

For many people, I think the idea of charity and needing to help others is a foreign concept. For many, human suffering is just something you see in the six o’clock news, but being in India I was able to see the suffering up close. As a young child, I didn’t quite understand why some people didn’t have the opportunity of living how I did. Heck, I barely understood the concept of sharing with my brother. But bit-by-bit, as I spent my summer in India, I was able to learn one of the most impactful lessons of my life.

One of the most vivid memories I have is of riding in a jeep with my uncle and cousins and having swarms of children rush into traffic. They were carrying garlands of flowers asking for a few rupees in return for their wares. Being so young, I didn’t quite understand what they were doing. When I asked my mom, she explained by comparing it to kids having a lemonade stand back home.

The most shocking thing to me about the whole experience was not once did anyone roll down their window and hand a few cents to these poor children. It hurt me to watch it. Since I can remember, I’ve always been inquisitive. I question anything and everything — to the annoyance of my parents and brother. And this whole experience definitely didn’t make any sense to me.

I didn’t understand why these kids were running into traffic. I didn’t understand why these kids were all alone. I didn’t understand why nobody was helping them. I mean whenever I had a lemonade stand growing up, all the adults would stop and buy a cup of lemonade with a smile.

Thinking back now, I realize that these kids weren’t receiving help because no one cared. They weren't selling flowers just for extra money, but for a living, and still no one cared. For me, I associate the word caring with the word humanity. It’s sad to me that as humans we have become so accustomed to the less fortunate that we have stopped caring. We have forgotten how to help others in need. We have forgotten humanity.

Through this experience I acquired a personal mission to never be like those people. I want to hold on to my humanity. Truth is, I still don’t understand why some people don’t care, but I know that I do and I won't stop.